Things have been busy for me this week at The Loop Loft. Today we just released two new Multitrack Drum Sessions, “Funk Meets Fusion” and “Thick & Meaty”. Check ’em out below:
What would it sound like if legendary funk drummer, Clyde Stubblefield (James Brown) joined a legendary fusion band like Weather Report, and they only performed in dance clubs where the tempo was regulated to 128 bpm? Well, we’re not sure if such a bizarre/awesome union like this would ever occur, but if it did, the drums would probably sound a lot like our latest multitrack release, “Funk Meets Fusion”.
Just like the name implies, the Thick and Meaty Multitrack Sessions are loaded with drums that give you plenty to chew on… and more. Using one of our beloved birch studio kits, we slapped on some extra-punchy Remo Pinstripe heads and pulled out our ultra-aggressive brass snare drum, all to give you a sound that is fat, juicy and totally in your face. Along with all of the individual drum tracks, we also captured the room sound on a separate channel, putting an even bigger (and natural) sound at your disposal. Just adjust the faders and mix to taste!
In July 2009, funk drumming legend, Clyde Stubblefield, whose sampled beats from his innovative recordings with James Brown have shaped the sound of hip-hop and drum & bass music, suffered kidney failure and began weekly dialysis treatment.
In July 2010, The Coalition for Clyde Stubblefield – an artist & industry association of Clyde’s supporters – was founded by drummers Stanton Moore, Johnny Rabb and David Stanoch to spread word of Clyde’s situation and new avenues being created expressly for donating financial support directly to him.
Clyde continues to work and perform regularly while dealing with the stress his kidney dialysis treatments demand.
We thank you for visiting this webpage and your desire to Give The Drummer Some, helping Clyde and his family find some relief as he braves this journey so they may feel some of YOUR soulfulness as we come together to help out a brother, an inspiration, our friend.
Remember, no contribution is too small and every penny makes a difference. JOIN THE COALITION & SPREAD THE WORD! Follow the simple instructions under the widget for embedding it into your own websites & social media pages! We thank you for your concern and generosity.
I know, I know…. things have been a little quiet around here lately. But trust me, I have a very good Reason for my absence. I would love to share more information with you at this time, but a team of international lawyers and a very large Swedish man who goes by the name, “Sven”, have me sworn to secrecy “or else…”. In just under a month, I will be able to provide you with all kinds of details about this very exciting project.
I’ve also been making some major strides in the upgrade of my studio. Trenches have been dug. Wiring is up to code. Raccoons have been evacuated. The next phase of construction will be insulating, soundproofing and drywalling the carriage house. It was built 200 years ago as place to keep your horse and buggy… not with the intent of some asshole recording drums in the middle of the frigid New Englad winter. I still have some work ahead of me.
While the blisters on my hands heal (remind me to wear gloves next time I use a shovel), I’m going to keep the loops on the mellow side. In this case, that means going back to playing some brushes and keeping things simple. This is what a loop would sound like if Russ Kunkel, Steve Jordan and Vernel Fournier had a baby, and that baby played drums, but only used a Gretsch kick and snare (baby drummers can easily land endorsement deals with fine drum companies). That baby would probably record loops that sound like this:
I know what you were thinking. “Ryan has been doing nothing the past two weeks but eating mashed potatoes, drinking his weight in Harpoon Winter Ale and taking extended naps. There’s no way he’ll have Volume VIII recorded, produced and edited by January 1st.” Well, you were wrong. Yes, I have been overindulging a bit this holiday season, but I’ve also been busy in the studio, putting together my finest Loop Pack to date. Ladies and Gentlemen of the distinguished member’s only section, I present to you, Gruss Loops Volume VIII!
91_Thicky – When I was in college, there was a certain girl that my friends and I used to pay extra special attention to while eating in the cafeteria. She was a natural beauty, with long black hair and an apparent appetite for frozen yogurt. Definitely not obese in anyway, and far from being stick-thin, she was dubbed with the highly un-pc nickname, “Thicky”. While I feel bad, looking back and remembering such misogynistic behavior, I still wanted to name a loop pack after her. Thicky, these beats (topped with chopped walnuts and extra sprinkles) are for you.
83_SlapBack – If you’ve been reading this blog for a while, then you know I’m a fan of reverb (when done right). The 80’s wouldn’t have been the same without the 4 second long decay on the snare and I don’t want to imagine a world without gated reverb on Phil Collins’ toms. This set of loops is my nod to the often overlooked flavor of reverb, the “slapback”.
93_FifteenEight – While other loop sites consider 5/4 and 7/8 the ultimate in odd meters, I consider it just the tip of the iceberg. I’ve decided to raise the bar and record a series of loops that you’ll need all ten fingers and one foot (assuming you haven’t had any horrific lawnmower accidents) to count. Welcome to the wonderful world of 15/8.
106_Crunched – Would you believe me if I told you this set of grooves was inspired by Jesus Jones’ 1990 pop anthem, “Right Here, Right Now“? Well, it’s true. While stuck in holiday traffic last week, this song came over the car radio and instantly took me back to seventh grade. During that first year of junior high, I was 5′ 9” and the tallest kid in my class. Fast forward nineteen years later and I’m still 5′ 9″… and I still act like a seventh grader. Not much has changed, other than my affinity for distorting dance grooves.
190_TwelveEight – Not to be confused with the aforementioned 15/8 loops, these 12/8 grooves are far from the world of odd meters. With a steady back beat and an easy to identify “one”, this is the time signature that blues legends, strippers and even Journey have turned to for years.
To become a subscriber and gain instant access to all of the 100+ loops (each as AIFF, WAV and REX2) in Volume VIII, just click the button below.