Tagged: splash cymbals

Hypocrite.

I know I’ve made some snarky comments about splash cymbals in the past. This is why I feel I must explain myself before posting today’s loop. You see, there are other ways to utilize splash cymbals besides highlighting DX-7 solos in bad fusion jams and recording prog-rock concept albums.

Charles Haynes
Charles Haynes

This is a trick I picked up a few years ago while hanging out at Wally’s on “funk night”. One of the house drummers, Charles “The Dog” Haynes, would often pull out a splash cymbal in the middle of a song and place it directly on the snare drum, completely changing the sound of the backbeat. By hitting the splash with the shoulder of the stick and really laying into it, Charles was able to produce a piercing, almost bit-crushed sounding snare. If only splash cymbals always sounded this manly.

Loop #74

Today’s loop takes The Charles Haynes Splash Methodâ„¢ and combines it with a jingle stick in the right hand and a floor tom hit (covered with a t-shirt and soaked in sub-bass) on the “and” of 1.

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110 BPM

Half a Dozen Splashes

I apologize for the recent lack of loops over the past week. As you know, there is lot of behind the scenes work going on at ryangruss.com in preparation for June 1st. Between the film crew in my house, the international press junkets and my fresh Botox injections, it’s been hard to keep up with the day to day administration of this site. Plus it’s Memorial Day weekend, so I’m also busy barbecuing and drinking beer.

To keep you entertained in the meantime, here’s a tour of Stewart Copeland’s kit from the recent Police reunion tour. Normally, I make fun of people with splash cymbals (especially six of them), but Stewart is one of the few who can get away with it.