I know I’ve made some snarky comments about splash cymbals in the past. This is why I feel I must explain myself before posting today’s loop. You see, there are other ways to utilize splash cymbals besides highlighting DX-7 solos in bad fusion jams and recording prog-rock concept albums.
This is a trick I picked up a few years ago while hanging out at Wally’s on “funk night”. One of the house drummers, Charles “The Dog” Haynes, would often pull out a splash cymbal in the middle of a song and place it directly on the snare drum, completely changing the sound of the backbeat. By hitting the splash with the shoulder of the stick and really laying into it, Charles was able to produce a piercing, almost bit-crushed sounding snare. If only splash cymbals always sounded this manly.
Today’s loop takes The Charles Haynes Splash Method™ and combines it with a jingle stick in the right hand and a floor tom hit (covered with a t-shirt and soaked in sub-bass) on the “and” of 1.
Download the Logic session here. (98MB)
Get the .wav file here.
Get the .rx2 file here.
Get the .aiff file here.