Tagged: Paul Simon

Video: Making Linear Drum Loops in Reason 6

One of my most popular blog posts is the one I wrote a few years ago entitled “Linear Drumming for Dummies“. ┬áIt’s a concept made famous by Steve Gadd (he’s no dummy) and oddly enough, Wikipedia references this very blog when talking about the most widely discussed song featuring linear drumming, Paul Simon’s “50 Ways To Leave Your Lover”.

In the video below, I demonstrate how to create linear drum loops from non-linear sources. In this case, a straight forward indie rock loop. By using slice edit mode in Reason 6, along with ReDrum, I’m about to deconstruct and then build up an entirely new groove:

The Best Video I Couldn’t Embed

Earlier today I was unpacking some boxes of random percussion gear and stumbled across a frame drum that I’ve been neglecting for the past few years. I purchased this particular drum about ten years ago when I was studying South Indian music with the great Jamey Haddad.

After tuning up the drum and attempting to make my fingers translate complicated rhythmic phrases into actual music, I decided to Google Jamey to see what he’s been up to. When I left college, Jamey was touring with Paul Simon (drumming alongside Steve Gadd). Not a bad gig. Well, it turns out Jamey has relocated from NYC to his home town of Cleveland, Ohio. He still keeps a busy touring and teaching schedule and now has the luxury of recording his vast arsenal of drums and percussion from the comfort of his own home studio.

Jamey Haddad
Jamey Haddad

While checking out his website, I came across one of the best fifteen minute videos about music I’ve ever seen. In this brief clip, Jamey touches upon all of the important things that he passed on to me over a decade ago. I’d outline these things in more detail here but I think it’s better for you just to watch the video and take it from the man himself. Unfortunately, I’m not able to embed the video directly into my blog (and it doesn’t seem to be on youtube) but you can see it by clicking here and watching the first clip. Then, if you really want your mind blown, move on to the second clip (KOSA Performance). Live drum looping at its best.