After putting my stomach and liver through “The Grinder” (aka Thanksgiving), I figured it would only be fair to do the same with my loops. Digging into some of the other new features in Logic 9, I discovered just what I was looking for: a virtual distortion pedal appropriately named “Grinder”.
Today’s loop takes what was once a pristinely recorded, 16th note-heavy funk groove and runs it through the digital equivalent of something you’d find behind your local meat counter. Pending any FDA recalls, this loop should be safe to consume, as long as it’s stored in a cool area and cooked thoroughly before serving.
Like I mentioned in my previous post, I just upgraded my studio to Logic 9 and have been busy checking out all of its new features. From a user interface point of view, not much has changed. It still looks and feels much like its predecessor, but there are some new editing tools that peaked my interest as a drummer. Specifically, Flex Time and the drum replacement/doubling tool.
I decided to test out the Flex Time tool by playing a straight pop beat to see how well it picked up the transients. It did a rather remarkable job of latching onto every percussive attack. So good, in fact, it took everthing I played and easily (almost too easily) lined everything up in perfectly quantized 16th notes. Yep, it sucked the Gruss right out of it… but then it begged for some electronic layering to keep the kids happy on the dance floor. So, with the drum replacer (Apple’s own version of Drumagog) I doubled several tracks with an extra-beefy kick and a heavily-gated snare.
The result? I’m still not sure exactly… but if The Postal Service was around in the 80’s and they were asked to write the theme music to Miami Vice, I’m pretty sure Logic 9 would have come in handy.