In the video below, I demonstrate how to create linear drum loops from non-linear sources. In this case, a straight forward indie rock loop. By using slice edit mode in Reason 6, along with ReDrum, I’m about to deconstruct and then build up an entirely new groove:
Here’s a great clip of Steve Gadd getting things done at the 1976 Montreux Jazz Festival. Check out the dynamic paradiddle variations between the snare and cowbell. Classic Gadd. My only question… where can I get one of those vintage “Stuff” t-shirts?
Linear drumming is a style of playing where no two limbs hit at the same time. These grooves are typically broken up between the snare, kick, hi hat and toms, creating a unique, lilting feel. One of the most popular examples of linear drumming is Steve Gadd’s performance on Paul Simon’s“50 Ways to Leave Your Lover”. If you really want to impress the guy behind the counter at Guitar Center (the one with the phonytail) with your mad drumming skills, be sure to get this beat under your belt:
Pop music and Guitar Centers aren’t the only places you can utilize linear beats. They also lend themselves well to funk music. David Garibaldi made the 70’s funkier (is that even possible?) with his slick, intricate linear grooves. Just check out some of his albums with Tower of Power, especially “Bump City” and “East Bay Grease”. With songs titles like “Social Lubrication” and “You Got To Funkifize”, I don’t feel the need to explain any further.
This beat originally started off as a very basic, 8th note linear groove…. then I decided to start playing with delays while mixing. I timed the delay to occur a dotted eighth note after the original attack, which resulted in an interesting, syncopated feel. To take it one step further, I panned the delay left to right (à la Stewart Copeland) and inserted a low pass filter.