I’m not sure how I got into this whole “facial hair” theme with my last few video posts, but if the music is good, then I will not be deterred by a little scruff. In this live performance from 1979, Toto steams things up in Cleveland with an extended version of their hit single, “Hold The Line”. And check out that keyboard player on stage left. I could be mistaken, but is that a young Howard Stern?
So, I wanted to get back to the experiment that I started with Bob Reynolds a few weeks ago. For those of you just tuning in, Bob and I decided to collaborate together on my loops by bouncing some musical ideas off of each other and building grooves around them. Bob was the first to offer up a track and sent the following rough demo:
I opened up Bob’s demo in Logic and started experimenting by tracking different grooves. As you subscribers will recall, this is how I decided to approach the recording:
My initial reaction, I’m feeling this as 12/8. Not necessarily with a traditional funk beat… but something that blurs the lines of afro/jazz and pop music (this sounds like something Sting would really fuck up… but I promise I won’t). If Jeff Porcaro and Art Blakey had a baby, he’d (assuming they had a boy) be my first call for this session.
So with that in mind, I recorded the “main groove” for the track. Taking a “Rosanna” ghost note approach on the snare (along with a halftime backbeat) and one of Art Blakey’s afro/cuban bembe patterns in the right hand, I came up with the following:
The main groove for the A section
Maybe some cowbell for the bridge? No jokes allowed.
Perhaps some straight-up 4/4 on the coda?
Check out more notes, a rough mix along with Bob’s track and a list of our next steps after the jump…
As you might recall, last week I mentioned I would be collaborating with my old friend, Bob Reynolds, in the process of creating music/ideas/grooves for upcoming loop packs. Well, today I received my first “rough sketch” from Bob along with the following notes:
Not exactly odd time, but I have this 12/8 loop in there that’s playing much
slower than intended (hence the sound of stretching). I feel like this is
maybe in 6/4? I don’t know, I made a chart for it in 12/8 because that’s where
the melodic rhythms worked out the best, and it’s in 4/4 in Logic because
originally I made it along to a funk beat….it’s morphed….what’s your
Check out some “Bobbage” around the 5:50 mark:
The mp3 of Bob’s sketch track and “my take” after the jump…