With the toms on my bebop-sized kit (18″ kick, 12″ tom & 14″ floor tom) cranked up high, this four bar loop is a somewhat hypnotic, tribal pattern ending with four 16th note flams on the snare (with the strainer turned off).
As I mentioned in my previous post, I was fortunate enough to finally become the owner my dream jazz kit, a Gretsch USA Custom. After breaking open my piggy bank and selling 63% of my bone marrow, I finally had the sufficient funds to make the trek up to the wonderful Drum Center of Portsmouth and pick her up.
And why are these drums so great? Well, it’s all about the way they SOUND. They have a certain characteristic and tone that only Gretsch drums seem to possess. It’s that warm, round, and focused sound heard on so many of the classic jazz albums featuring Max Roach, Tony Williams, Elvin Jones and Art Blakey (just to name a few).
Today’s loop is a two measure clip from a marathon jazz/funk extravaganza that took place shortly after setting up the new kit in the studio. You’ll notice the nice, open tone of the 18″ bass drum, along with some very melodic sounding toms. For mic placement, I just used the overheads and (a touch of the Beta 52A on the kick) to capture the natural sound of the kit. I also completely ripped off Bill Stewart’s signature fills. Look for more Gretsch based loops to come soon…