Brushing Up On The Funk

Ryan on Jan 25th 2010

Such a pun-laden headline could only mean one thing: Another funk loop. And rather than picking up the sticks and burying the VU meters into the red, I decided to to go the subtle route and use brushes to lay down the back beat.

Jim Keltner - Master of brushes, forks and pens.

Jim Keltner - Master of brushes, forks and pens.

Loop #119

I’ll admit, I’m not breaking any new ground with today’s groove. Drummers like Steve Jordan, Jim Keltner, and even the guy from G. Love and Special Sauce have been incorporating brushes into funk and pop grooves for years. I am, however, providing you with two measures of pristinely-produced, wide open snare, right hand on the floor tom, brush-based goodness.

Enjoy.

Preview Here:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Get the .wav file here.

Get the .rx2 file here.

Get the .aiff file here.

103 BPM

Filed in 100-120 BPM, Folk, Funk | No responses yet

Wally’s

Ryan on Mar 5th 2009

If you consider yourself a true music fan and live in Boston, then odds are you’ve been to Wally’s. Since 1947, it’s been a Beantown institution, known as a stomping ground for both Berklee students and touring musicians alike. The size of a small apartment (it’s literally the ground floor of an old brownstone), Wally’s is about as intimate as a venue can get. In order to safely walk to the bathroom, you need to squeeze past the hi hat and pray to god the drummer doesn’t do a fill.

While my friends and I were in college, Wally’s was our Mecca. You could find us there on any given Sunday, Tuesday and Wednesday night. These were known as “funk nights”… and funky it was. The musicians responsible for “house band” duties usually consisted of Sam Kininger on sax, Eric Kranso on guitar, Adam Deitch on drums, and a slew of other musicians who would later go on to form the band, Lettuce.

Wally's

Wally's

Loop #26

This is a groove inspired by those late night jam sessions at Wally’s. Uptempo funk with a bit of conga in the mix. For this loop I used my little 10″ Premier snare and cranked it up nice and high with no dampening.

Preview Here:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Download the Logic session here. (16MB)

Get the .wav file here.

130 BPM

Filed in 120-140 BPM, Funk, Fusion | 4 responses so far

Somewhere in Between.

Ryan on Feb 28th 2009

There is a special feel that was born from the brass bands of New Orleans. It first emerged around the turn of the 20th century and eventually worked its way north, merging into other styles of music along the way. This is a groove that is neither triplet nor sixteenth note based. It’s not straight funk and it’s not totally swung. It’s somewhere in between. It’s a feel that’s literally impossible to notate on sheet music and even harder to play.

Bill Stewart

Bill Stewart

There are only a handful of drummers in modern music who can truly find this “in between” feel and make it work in a variety of musical settings. Two of my favorites are Bill Stewart and Idris Muhammad. Whether they’re keeping it cool on a straight ahead jazz session or laying down back beats behind a funk band, they always manage to find this rhythmic sweet-spot.

Idris Muhammad

Idris Muhammad

Loop #22
Today’s beat is a four measure loop based on this “in between” feel. It’s a lazy funk groove that borrows more than a few licks from Bill and Idris (guys, the po’ boys are on me next time). And you, sitting in front of your computer, don’t even think about touching that quantizer.

Preview Here:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Download the Logic session here. (67MB)

Non-Logic fools, get your .wav files here.

66 BPM

Filed in 060-080 BPM, Funk, Jazz | 3 responses so far

Cry Me a River.

Ryan on Feb 25th 2009

Ok, get those violins out. Today I’m a bit under the weather AND I’ve got a bum wing…. well, wrist actually. I’m hopped up on flu meds, painkillers and I’m wearing a splint that makes me look like a professional bowler. I’ve actually been mistaken for Ernie McCracken three times today. Being a huge fan of Kingpin, I’m going to chalk it up as a compliment.



I was going to take the day off, get some rest and recover a bit, but then I thought about Rick.

Rick Allen - Def Leppard

Rick Allen - Def Leppard

On December 31, 1984 Def Leppard drummer, Rick Allen, lost his left arm in a horrific car collision. Most drummers would consider this a career-ending accident, but Rick had the courage and strength to come back and learn how to play drums with one arm. If Rick Allen could overcome so many obstacles and make a triumphant return to Def Leppard, how could I sit around and watch Seinfeld reruns all day? I decided I must record with one arm. I decided the blog must go on.

Loop #19

With 75% limb functionality, I put my left foot to work and used it to cover the hi hat pattern. I then laid down a funky, almost New Orleans style groove between my left hand on the snare and right foot on the the kick drum. The Pseudoephedrine and Oxycodone took care of everything else.

Preview Here:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Download the Logic session here. (66MB)

Non-Logic fools, get your .wav files here.

100 BPM

Filed in 100-120 BPM, Funk, Hip Hop, Jazz | 2 responses so far