Every winter, when I travel home to West Des Moines, Iowa to celebrate Christmas with my family, I also take part in a “reunion concert” of sorts with some old friends from high school. Fourteen years ago, just before packing up my bags and heading to Berklee, I teamed up with some other members of my high school jazz band to find a way to get into bars without a fake ID. The solution? Start a funk band. And give it a really bad name.
At first we were called Pushin’ Chunky. Then we were D.I.M. (Drunkards In Motion). Several years ago, we somehow transitioned into the rather unfortunate moniker, Chach. Our name may change a lot, but the set list never really does. Stocked full of quintessential bar-funk-soul-r&b-band standards such as Sex Machine, Superstition, Everybody’s Everything and Pass The Peas, it’s three hours of music that we can pull off on an annual basis… without a single rehearsal. Consistent? Yes. Tight? Eh. Tight enough.
In preparation for this year’s Chach-fest, I’ve been brushing up on the ‘ol funk chops. Today’s loop is one of the many Kenwood-esque grooves that will be making the annual appearance down on Court Avenue. Two measures, some swung sixteenth notes and an open hi hat on the “one”. It’s what the best bar bands are made of. And yes, it looks like I finally quit the drum replacer habit.
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