Bring On The Soca
Ryan on Feb 27th 2010
It’s another cold and snowy day in Boston. I love living in New England because I really get to experience all four seasons, but I also hate this time of year. Three months into winter, late February is when I usually start perusing various travel websites, looking for an escape from the daily routine of scraping ice off of my windshield.
I have a rather vivid imagination, so rather than dropping a few grand on a trip to the Caribbean, sometimes I’ll just crank up the heat in my studio to about 95°F, crack open a few Coronas, and play some grooves indigenous to tropical regions. Reggae, calypso, samba… anything to feel like I’m within a 500 mile radius of the equator. My wife doesn’t seem to agree that this is the same as lounging around in a beach chair, somewhere on a white sandy beach. My response to this is usually a snap of the fingers, and a request for more guacamole.
Traditional Soca Dancing - Thanks Google Images!
Loop #124
Today’s “take me away” groove is Soca. An offshoot of Calypso music, Soca originates from the islands of Tobago and Trinidad and is usually based around a heavy drum and percussion ostinato. Some examples of Soca grooves in popular music are Buster Poindexter’s 1987 hit, “Hot, Hot, Hot” and Kevin Lyttle’s “Turn Me On”. This particular loop is a four bar phrase consisting of just kick and snare. With an almost march-like quality, this groove makes for an ideal drum break on any Caribbean dance floor. Look for more Soca grooves in the upcoming and highly anticipated release of Gruss Loops Volume X.
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108 BPM
Filed in 100-120 BPM, Latin, World | No responses yet
329 Free Loops – Zipped For Your Pleasure
Ryan on Nov 21st 2009
Since we’re approaching the holiday season, I figured I’d get in the “giving” frame of mind by rounding up every single loop I’ve ever posted on this site and zip them up into one file for an easy and free download. So, here you go. Everything from country to zeibekiko, 60 to 300 BPM, WAV to AIFF to REX2… it’s all inside this one zip file. Just click the icon below to download:
458 MB of Gruss
Note – These don’t include the 700+ loops that I’ve recorded for my subscribers. If you’re interested in getting in on that action, just click here to sign up.
Filed in 060-080 BPM, 080-100 BPM, 100-120 BPM, 120-140 BPM, 140-160 BPM, 160-180 BPM, 180-200 BPM, 200-220 BPM, 220-240 BPM, 240-260 BPM, 280-300 BPM, 300-320 BPM, Country, Dance, Dub Step, Experimental, Folk, Funk, Fusion, Hip Hop, Jazz, Latin, Pop, R&B, Reggae, Rock, Wanking, World | 19 responses so far
Relaxin’ at Camarillo + Bonus Loop Pack
Ryan on Oct 11th 2009
While I’m not a big fan of packing up everything you own, moving it into a new place and then unpacking again, it does tend have its little rewards. Like rediscovering items you forgot you even possessed. In this case, that item is Joe Henderson’s incredible 1979 album, “Relaxin’ at Camarillo”. I had purchased this record back in high school while going through my “must own everything Tony Williams ever played on” phase and somehow managed to lose track of it after 10 years of continuous moving from apartment to apartment in NYC.
Not only is Tony’s playing on this album mind blowing as usual, this record was a significant musical discovery for me because it introduced me to the fantastic drumming of Peter Erskine. Occupying the drum seat for half of the album, a 25 year old Erskine definitely holds his own alongside another legendary jazz musician, Chick Corea.
Relaxin' at Camarillo
Loop #99
Today’s loop (and bonus pack for subscribers) was inspired by the opening track on Relaxin’ At Camarillo, “Y Todavia La Quiero”. Based around an 8 bar vamp, this song not only showcases Joe Henderson’s huge sound and improvisational genius, but also Peter Erskine’s knack for driving a band with dynamics, groove and his trademark musicality. Blurring the lines of latin, funk and rock, Peter takes the chops he honed while in Weather Report and pushes this quartet into new musical territory.
Preview Here:
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240 BPM
Subscribers, click on the picture of a scantily clad Erskine (you non-subscribers are really missing out… trust me) below to download the bonus pack containing 10 groove variations and fills (each in WAV, AIFF, REX2 formats) from this session.
Filed in 240-260 BPM, Fusion, Jazz, Latin, Loop Packs, Members Only, Uncategorized | No responses yet
Backwords Bembe
Ryan on Jul 17th 2009
Loop #82
Well, not totally backwards… but I did displace the traditional bembe bell pattern by two eighth note triplets. Does this really matter? Nope. I think the Afro-Cuban police will let it slide.
It’s one of those grooves that can be felt in 3, 4 or 6/8. Throw this under your next arrangement of “Afro Blue” or “My Favorite Things” and let the 20 minute modal improvisation begin. If this groove has you foaming at the mouthpiece for more, you can get the complete set of fills and groove variations in the upcoming release of Gruss Loops Vol III.
John Coltrane - Bembe Fan
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136 BPM
Filed in 120-140 BPM, Jazz, Latin, World | One response so far
Mambo!
Ryan on Jul 6th 2009
Apparently I drank something over the 4th of July weekend that inspired me to play nothing but jazz grooves from the late 50’s. Every time I sit down at the kit, all I want to do is put on my trashy, old ride cymbal and pretend I’m Elvin Jones or Art Blakey. Who knew Colt 45 would have that effect?
Speaking of Art Blakey, today I wanted to talk about one of the grooves he’s best known for: The mambo. I first learned how to play this groove after hearing Art lay it down on his 1957 classic, A Night In Tunisia.
Stop whatever it is you’re doing (besides reading this blog, of course) and focus on this track for the next 11 minutes and 17 seconds:
If that didn’t inspire you, then you should probably check your pulse. You may have been prescribed something by one of Michael Jackson’s doctors.
Art Blakey - Mambo Master
Loop #79
Today’s loop takes Art’s patented mambo pattern and chills things out just a bit… all the way down to 240bpm. You’ll have to add your own percussion section and 3:2 clave (sorry, I was out of limbs), but you should be able to get that hard bop sound you’ve been looking for.
The rest of the grooves and fills from this session will be available in the highly anticipated release of Gruss Loops – Volume III.
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240 BPM
Filed in 240-260 BPM, Jazz, Latin, World | 9 responses so far
Funkifying the Clave
Ryan on Apr 2nd 2009
I was 16 years old when I first learned how to play “real” Afro-Cuban and Latin grooves. Prior to that, my only exposure to anything close to that style of music was hearing Santana’s cover of “Oye Como Va” on the radio. You have to keep in mind, I grew up in Iowa.
Robby Ameen
Pete Simonson, my drum teacher at the time, wanted to help expand my vocabulary of grooves beyond the borders of FM radio. He recommended that I check out a new instructional book called “Funkifying the Clave”. It was written by NYC heavyweights, drummer Robby Ameen and bassist Lincoln Goines and featured a play-along cassette tape (really, I’m not THAT old).
From Mozambique to Guaguanco to Songo grooves, I spent the next six months with my head inside of that book, eating nothing but beans and rice and rarely playing the bass drum on one. This was definitely an import period in my development as a musician.
Loop #44
Today’s loop is one of the songo grooves that I first learned fifteen years ago. I’ve taken some small liberties with the basic pattern, but for the most part, it’s the beat transcribed below.
Basic Songo Pattern
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112 BPM
Filed in 100-120 BPM, Funk, Jazz, Latin | 2 responses so far
One for the Hippies.
Ryan on Mar 9th 2009
Get those djembes out! If you’ve ever met me, then you know there’s nothing I love more than a good drum circle. Take a large group of hippies (preferably ones that haven’t showered in at least a week), light some incense and place them in a public park. Give them a wide assortment of hand percussion and lose yourself in hours of endless tribal drumming (with origins that stem deep into the suburbs of Boulder and Santa Cruz).
Masters of Rhythm.
Loop #27
Inspired by a rare Phish b-side, here’s a loop you can really jam to, brah.
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108 BPM
Filed in 100-120 BPM, Dance, Fusion, Latin | 2 responses so far
Fun with filters.
Ryan on Feb 16th 2009
Today’s loop started off as your typical 6/8 Afro Cuban groove. Well, not that typical. I took the traditional bembé clave which is normally played on a cowbell and moved it around the toms. If you want authentic latin beats, don’t turn to the kid who grew up in Iowa. I mean, I went to high school with these clowns.
6/8 Afro Cuban, from someone who has never been to Africa or Cuba:
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Anyway, to bastardize this loop to the fullest, I ran all of the drum tracks through Logic’s EVOC 20 Filterbank. I played with the stereo width, LFO rates and resonance levels until my vanilla, 4 bar beat turned into something that didn’t even resemble a drum set.
Geekfest '09
Loop #13
Björk just called. She wants her production style back. But I’ll post it anyway…
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Get the .wav file here. (filter)
Get the .wav file here. (no filter)
120 BPM
Filed in 120-140 BPM, Experimental, Latin | 3 responses so far
